The Courtauld Gallery, one of London's premier art institutions renowned for its world-class collection of Impressionist and Post-Impressionist masterpieces, is taking a bold step into the future of art. On January 27, 2026, the institution announced a transformative £10 million gift from the Blavatnik Family Foundation, bringing the Foundation's total support to £20 million. This funding will enable the creation of the Blavatnik Contemporary Galleries, two dedicated spaces for contemporary art set to open in 2029 as part of the Courtauld's ambitious new campus at Somerset House.
The new galleries will occupy the top floor of the North Wing at Somerset House, a historic Grade I-listed building where the Courtauld has been based since 1989. Accessible via a dedicated entrance opposite the main Gallery, the spaces will restore an 18th-century display room originally built for the Royal Society. Designed under the masterplan by award-winning architects Witherford Watson Mann—who previously transformed the Courtauld Gallery, earning the 2025 RIBA Stirling Prize—in collaboration with Purcell and Lawson Ward Studios, the project emphasizes flexibility, accessibility, and a seamless integration of historic architecture with modern needs.
These galleries mark a significant evolution for the Courtauld, which has traditionally focused on art from the Middle Ages to the early 20th century. Famous for holdings including Vincent van Gogh's Self-Portrait with Bandaged Ear, Édouard Manet's A Bar at the Folies-Bergère, and extensive works by Paul Cézanne, the institution has increasingly embraced contemporary practice since its 2021 reopening. The Blavatnik Contemporary Galleries will host special exhibitions, artist commissions, events, and experimental projects, serving as a dynamic platform for living artists and fresh perspectives.
A key feature is the active involvement of students from the Courtauld Institute's MA in Curating programme, who will play a major role in programming and delivery. This educational integration aligns with the Courtauld's mission as a leading center for art history, conservation, and curatorial studies, reuniting the Gallery, Institute, and conservation studios under one roof in the new campus, supported by the Reuben Foundation and other philanthropists.
The announcement highlights the Courtauld's growing contemporary program. Since 2021, it has featured acclaimed exhibitions such as Peter Doig's major show and Claudette Johnson's display, alongside commissions like Cecily Brown's large-scale work and Rachel Jones's annual entrance hall project. Upcoming highlights include the first European solo exhibition of Salman Toor in October 2026.
A rendering of the proposed galleries features works including Doig's Alpinist (2022), Johnson's Blues Dance (2023), and Jones's STRUCK (2025), illustrating the space's potential to juxtapose bold contemporary pieces with the institution's historic context.
Mark Hallett, Märit Rausing Director of the Courtauld, stated: “Sir Leonard and Lady Emily Blavatnik have been foundational supporters of the Courtauld for many years, and we are thrilled that they share our excitement about our expanded engagement with contemporary art. Thanks to their enlightened philanthropy, visitors to the Courtauld’s galleries will be able to enjoy the most exciting art of today alongside our extraordinary array of historic masterpieces.”
Elena Crippa, Senior Curator of Contemporary Art, added: “The new galleries will be a site of possibilities for artists to present exceptional artworks. These new spaces will help us connect past and present art and ideas, engage students and bring living artists to the core of our activities.”
Sir Leonard Blavatnik commented: “My family and I have taken great pride in our association with the Courtauld over the past decade. It has been a privilege to play a leading role in shaping the Gallery’s future.”
This initiative builds on the Blavatnik Family Foundation's prior contributions, including the Blavatnik Fine Rooms opened in 2021, which showcase Renaissance to 18th-century works. The Foundation, led by Sir Leonard Blavatnik, has donated over $1.3 billion globally to arts, education, and science, supporting institutions like the Tate Modern and National Portrait Gallery.
The Blavatnik Contemporary Galleries represent a forward-thinking investment in bridging historical and modern art, ensuring the Courtauld remains a vibrant hub for innovation, education, and public engagement in the visual arts.
FAQ
What is the Blavatnik Contemporary Galleries project? It is the creation of two new galleries at the Courtauld Gallery dedicated to contemporary art, funded by a £10 million gift from the Blavatnik Family Foundation (total support £20 million). The spaces will feature exhibitions, commissions, and events.
When will the new galleries open? The Blavatnik Contemporary Galleries are expected to open in 2029 as part of the Courtauld's new campus at Somerset House.
Where are the new galleries located? They will be on the top floor of the North Wing at Somerset House, London, with a dedicated public entrance.
Who designed the project? The masterplan is by Witherford Watson Mann Architects, in collaboration with Purcell and Lawson Ward Studios.
How will the galleries engage with contemporary art? They will host special exhibitions, artist commissions, and events, with significant involvement from MA Curating students. The focus is on experimentation, new projects, and connecting historic and modern art.
What other contemporary initiatives has the Courtauld pursued recently? Since 2021, the Courtauld has presented exhibitions by Peter Doig and Claudette Johnson, commissions by Cecily Brown and Rachel Jones, and upcoming shows including Salman Toor in 2026.
How can I stay updated on the project? Visit the official Courtauld website for press releases, images, and announcements. Press inquiries can be directed to Bolton & Quinn.